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Item: 126817192300
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Item must be returned within:30 Days
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Artist:CLICK RIGHT ARROW > FOR CONDITION,Titta Ruffo
Format:Record
Material:Shellac
Type:Single
Genre:Classical,Opera
Record Label:Gramophone Company
Record Size:12″
Style:A Capella,Aria,Ars Nova,Ballad,Barcarolle,Canon,Cantata,Canzona,Chorale,Duet,Eastern European Music,Elegy,Film Score/Soundtrack,France & Belgium,French Music & Chansons,German music,Germany & Austria,Italian Music,Lied,Lullaby,Madrigal,Mass,Motet,Musical/Original Cast,Oratorio,Requiem,Russian Music,Spanish Music,Traditional & Vocal,Vocal
Speed:78 RPM
Release Title:OTELLO Credo in un Dio crudel
Language:Italian
Catalog Number:2-052052
Sub-Genre:Opera
Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the “ADD TO CART” button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great OPERA Records from early G&Ts to World War II recordings on 78 rpm Victrola Records Click this link for more great Opera and Vocal Records in my other listings! Titta Ruffo early in his career Hear the great Italian Baritone Titta Ruffo in his evil and suave impersonation of IAGO Otello. Credo in un Dio crudel Titta Ruffo (vocalist : baritone vocal)Description: Vocal (baritone), with orchestraJohn Bolig files show the date as 1/7/1914 and note: “Date on stamper.” Victor ledgers and the blue history card show the date as 1/8/1914.1/7/1914 New York, New York Victor Orig Issue Gramophone Pink Label Monarch Record 12″ 78 RPM record. w raised rim and angel backCond;EXCELLENT MINUS unworn light rubs, label rubbed and difficult to read, incipient crack UNDER LABEL ONLY , plays very quiet lightest hissA GREAT COPYNon era una voce, era un miracolo! Giuseppe de Luca on Titta Ruffo Biographical notes: His real name was Ruffo Cafiero Titta. He was born in Pisa, the son of a metal worker, and grew up in poverty. For many years he travelled through Italy until he finally found a master who taught him the trade of an iron worker. Meanwhile his vocal talent had become evident and several mentors enabled him to study at the Academia di Santa Cecilia in Rome. He became a pupil of the famous Venceslao Persichini for a short time (who was by the way more interested in another of his pupils, Giuseppe de Luca). His debut took not place until 1898 (as the Herald in Lohengrin). In the subsequent years he toured the Italian provinces, singing leading r(les such as Rigoletto, Barnaba, Carlos and Rigoletto. Around the turn of the century his world career was on its way. He preferred to make guest appearances in the most important opera houses. He was triumphantly successful at Covent Garden, Egypt, South America and Imperial Russia. In 1905 he sang one of his most famous roles, Amleto in ThomasÆ opera. He sang this role at various opera houses and frequently the opera was staged only for him. He sang several times opposite Enrico Caruso but there are valid suggestions that Caruso used his influence to prevent Ruffo being invited to the Met and this notwithstanding good personal relations between the two singers. Therefore he made a rather late Met dTbut in 1922, a time when his voice was already in decline. Nevertheless he stayed until 1929. After terminating his career, he lived in Italy, but, as a vehement opponent of the Mussolini regime he was ostracised for many years (his brother-in-law was a socialist and was murdered by the fascists). Only at the end of his life he did enjoy a splendid rehabilitation. ôIn my lifetime there have been three miracles – Caruso, Ponselle and Ruffo. Apart from these there have been several wonderful singers.ö Tullio Serafin Nellie Melba: ôIÆm not singing with him. He is too young to be my father.ö Titta Ruffo (taking revenge): ôSheÆs too old to be my Gilda.ö Comment: Throughout his career, the artist was accompanied by the epithet of the ôsinging lion.ö The description fittet his appearance, his imposing Herculean figure, his mighty head with the ôLionÆs maneö – and, naturally his voice, which was of virtually incredible strength – a ôlionÆs voiceö indeed, as Lauri-Volpi put it significantly. When his refulgent voice turned wan and pale, the reviews spoke of the ôdying lionö and Ruffo himself said after he terminated his artistic career in 1936: ôThe lion is silent.ö (Preiser) RuffoÆs voice had something of a force of nature about it, something animalistic even. It was a singular phenomenon. His whole appearance was unique in the world of opera. Deep at heart Ruffo was, in fact, a naturalist and by no means a pure belcanto singer. His strength was the unbelievably rich volume in the highest range (which occasionally reached tenorial regions), the immediacy of tonal formation and thus an astonishing ability in ôparlandoö singing. This was offset by a certain huskiness in the lower range – a deficit that increased during the course of his career. As a singer Ruffo made full use of a ôcoloristicö palette. In his autobiography ôLa mia parabolaö he outlined how he mixed light, dark and irridating colors. My favorite recordings: – Rigoletto: All excerpts (Title role in Rigoletto / Verdi / Gramophone 1906/08) O vin, discaccia la tristezza (Title role in Hamlet / Thomas / Gramophone 1907/08/12 and Victor 1920) – Largo al factotum (Figaro in Il Barbiere di Siviglia / Rossini / Gramophone 1906 and 1912) – O monumento (Barnaba in La Gioconda / Ponchielli / Gramophone 1912) – Si pu=? (Tonio in Il Pagliacci / Leoncavallo / Gramophone 1912) – Credo in un Dio crudel (Iago in Otello / Verdi / Victor 1914) – Si per ciel marmoreo giuro with Enrico Caruso (Iago in Otello / Verdi / Victor 1914) – AllÆerta marinar (Nelusko in LÆAfricana / Meyerbeer / Victor 1915) – Urna fatale (Don Carlo in La Forza del Destino / Verdi / Victor 1915) – Adamstor, re delle acque profonde (Nelusko in LÆAfricana / Meyerbeer / Victor 1920) – Pauvre martyr obscur (Patrie / Victor 1920) ôI never knew how to sing, that is why my voice went by the time I was fifty. I have no right to capitalise on my former name and reputation and try to teach youngsters something I never knew how to do myself.ö Tita Ruffo More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS – VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don’t give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.”EXCEPTIONALLY QUIET” is close to noiseless, like a vinyl pressing.”VERY QUIET” is an above average quiet record for a given pressing.”Quiet” is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don’t like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit’s eCommerce Solution
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