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Location: Beverly Hills, California
Ships to: US,
Item: 256660153370
Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Industry:Movies
Size:8×10
Object Type:Photograph
Original/Reproduction:Original
Style:Black & White
Country/Region of Manufacture:United States
This 1960 Marilyn Monroe Original Let’s Make Love 60/259 20th Century Fox 8×10 Photo is the exact item you will receive and has been certified Authentic by REM Fine Collectibles. Marilyn Monroe (born Norma Jeane Mortenson; June 1, 1926 – August 4, 1962) was an American actress, model, and singer. Famous for playing comic “blonde bombshell” characters, she became one of the most popular sex symbols of the 1950s and early 1960s, as well as an emblem of the era’s sexual revolution. She was a top-billed actress for a decade, and her films grossed $200 million (equivalent to $2 billion in 2021) by the time of her death in 1962. Long after her death, Monroe remains a major icon of pop culture. In 1999, the American Film Institute ranked her sixth on their list of the greatest female screen legends from the Golden Age of Hollywood. Let’s Make Love is a 1960 American musical comedy film made by 20th Century Fox in DeLuxe Color and CinemaScope. Directed by George Cukor and produced by Jerry Wald from a screenplay by Norman Krasna, Hal Kanter, and Arthur Miller, the film stars Marilyn Monroe, Yves Montand, and Tony Randall. It would be Monroe’s last musical film performance. In 1955, Monroe had entered into a new contract with 20th Century Fox, requiring her to star in four films within the next seven years. By 1959, she had completed only one: Bus Stop, released in 1956. While Monroe shot Some Like It Hot in 1958 (for United Artists) her then-husband, playwright Arthur Miller, completed the screenplay for The Misfits (1961), which they had intended to be Monroe’s next film. Some Like It Hot was released in March 1959 and became an enormous success. Critics praised the film and Monroe’s performance. Hoping to capitalize on this, 20th Century Fox insisted that Monroe fulfill her contract. The Misfits was put on hold and Monroe signed on to star in what was then titled The Billionaire. The original script was written by Academy Award-winning screenwriter Norman Krasna. He was inspired to write the script after seeing Burt Lancaster do a dance at a Writers Guild Award ceremony and receive loud applause. He came up with the idea of a story about a very wealthy playboy like John Hay Whitney who hears about a company putting on a show that made fun of him and becomes enamored of the theater and a woman in the play. Krasna felt that only three actors were suitable – Gary Cooper, James Stewart and Gregory Peck – because all were so obviously not musical performers, making it funny if they sang and danced. Peck agreed to play the lead, and then Monroe was signed opposite him, even though Krasna preferred Cyd Charisse. With Monroe attached to the picture, she and Miller wanted the part of Amanda expanded, and Miller worked on the script (although he did not receive credit) to achieve this. Peck bowed out after the emphasis shifted to the female lead. Various sources state that the role was then offered to Rock Hudson, Cary Grant, and Charlton Heston, all of whom declined. It was eventually offered to Yves Montand, who had appeared in a French film version of Miller’s The Crucible (1957) and had received praise for his recent one-man musical show in New York. Monroe and Miller both gave their approval for Montand in the role. The title was changed to Let’s Make Love and production began in January 1960 with George Cukor directing. The outline of the plot was formed by rewriting the roles of the characters of the plot of the 1937 American musical film On the Avenue. The writing of the premise was also influenced by the 1959 film Pillow Talk. In March 1960, Monroe was awarded the Golden Globe Award for Best Actress – Musical or Comedy, further cementing the success of Some Like It Hot. Montand’s wife Simone Signoret, with whom he had starred in the French version of The Crucible, won the Academy Award for Best Actress for her role in Room at the Top in April. The two couples were soon inseparable; they had adjoining bungalows at the Beverly Hills Hotel. Born and raised in Los Angeles, Monroe spent most of her childhood in a total of 12 foster homes and an orphanage before marrying James Dougherty at age sixteen. She was working in a factory during World War II when she met a photographer from the First Motion Picture Unit and began a successful pin-up modeling career, which led to short-lived film contracts with 20th Century Fox and Columbia Pictures. After a series of minor film roles, she signed a new contract with Fox in late 1950. Over the next two years, she became a popular actress with roles in several comedies, including As Young as You Feel and Monkey Business, and in the dramas Clash by Night and Don’t Bother to Knock. Monroe faced a scandal when it was revealed that she had posed for nude photographs prior to becoming a star, but the story did not damage her career and instead resulted in increased interest in her films. By 1953, Monroe was one of the most marketable Hollywood stars. She had leading roles in the film noir Niagara, which overtly relied on her sex appeal, and the comedies Gentlemen Prefer Blondes and How to Marry a Millionaire, which established her star image as a “dumb blonde”. The same year, her nude images were used as the centerfold and on the cover of the first issue of Playboy. Monroe played a significant role in the creation and management of her public image throughout her career, but felt disappointed when typecast and underpaid by the studio. She was briefly suspended in early 1954 for refusing a film project but returned to star in The Seven Year Itch (1955), one of the biggest box office successes of her career. When the studio was still reluctant to change Monroe’s contract, she founded her own film production company in 1954. She dedicated 1955 to building the company and began studying method acting under Lee Strasberg at the Actors Studio. Later that year, Fox awarded her a new contract, which gave her more control and a larger salary. Her subsequent roles included a critically acclaimed performance in Bus Stop (1956) and her first independent production in The Prince and the Showgirl (1957). She won a Golden Globe for Best Actress for her role in Some Like It Hot (1959), a critical and commercial success. Her last completed film was the drama The Misfits (1961). Monroe’s troubled private life received much attention. She struggled with addiction and mood disorders. Her marriages to retired baseball star Joe DiMaggio and to playwright Arthur Miller were highly publicized.
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