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Location: Homosassa, Florida
Ships to: US,
Item: 196797087171
Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:14 Days
Refund will be given as:Money Back
Artist:Jean-Michel Basquiat
Signed By:Jean-Michel Basquiat
Signed:Yes
Period:Contemporary (1970 – 2020)
Title:Graffiti
Material:Paper
Item Length:12 in
Region of Origin:Brooklyn, New York
Framing:Unframed
Subject:New York
Type:Painting
Year of Production:1960
Original/Licensed Reproduction:Original
Item Height:16 in
Theme:Graffiti
Style:Graffiti Art
Features:One of a Kind (OOAK)
Production Technique:Watercolor Painting
Country/Region of Manufacture:United States
Handmade:Yes
Culture:African American Brooklyn
Time Period Produced:1980-1989
Noted for his graffiti street paintings under the name pseudonym 'SAMO', Jean-Michel Basquiat was born in Brooklyn. His father was Haitian-born Gerard Basquiat. His mother, Matilde Andradas, had been born in Brooklyn of Puerto Rican parents. He had two sisters (born in 1963 and 1966) also born in Brooklyn. When only a small boy, Basquiat began drawing, inspired by the cartoons and Hitchcock films he watched on television. He also loved to read comic books and Mad Magazine, with its Alfred E. Neuman character. His mother encouraged this interest in art, and when he was only seven he produced a children's book with a friend, Mark Prozzo. When only eight, Basquiat was hit by a car while he played in the street, requiring him to spend a month in the hospital. During this time his mother gave him a copy of the book, Gray's Anatomy, the influence of which was to later show up in his artwork as well as the name of a band he co-founded in 1979, called Gray. When his parents separated, Jean Michel Basquiat lived with his father and sisters first in Brooklyn until his father moved, with his three children, to Mira Mar, Puerto Rico. There Basquiat attended an Episcopalian school. He later moved back to New York, where he attended City as School, a progressive school in Manhattan. There he met Al Diaz, a graffitist who lived in the lower east side projects. They became friends and artistic collaborators. The two were among the most popular students at their school, both creative and also with an affinity for getting into trouble. Basquiat invented a fictional character named SAMO (for same old shit), and he and Diaz began spray-painting witticisms 'by SAMO' around lower Manhattan. At fifteen, he ran away (for the second time), and lived for a period of weeks in Washington Square Park, until his father found him and brought him home. Through City as School, Basquiat became involved with a drama group. He also has admiration for famous people such as Joplin, Hendrix, Charlie Parker, Billie Holliday, Sugar Ray Robinson, and Joe Louis. Some of these were later to appear in his paintings. Leaving home for good around 1978, Basquiat stayed at homes of friends, including the loft of British artist Stan Peskett. He tried to support himself by selling postcards and t-shirts that he painted. In an attempt to make a sale, he approached Andy Warhol in a restaurant, and did make the sale, but it was not until some years later that the two became friends. Basquiat began dating Alexis Adler in the late 1970s, and the two moved into an apartment, his first address of his own. Their crowd included filmmakers, musicians, and artists. Basquiat and Diaz had a falling out about that time, which ended their SAMO collaboration, and Basquiat turned his focus to his own art and music. Part of his scene were Keith Haring and Kenny Scharf, and Basquiat and Haring begin an on-and-off relationship that lasted until Basquiat's death. In 1980, Basquiat's art was exhibited for the first time, and encouraged by the reception of his art, he quit his band, Gray. With a new girlfriend, Suzanne Mallouk, a singer and artist, Basquiat moved into an apartment. In 1981 he traveled to Europe for the first time, for a one-man show in Italy, where the work was shown under the name SAMO. Back in Soho, Basquiat became friends with Shenge Kapharoah, an artist from Barbados, with whom he shared many African ideologies. Traveling to Los Angeles for an exhibition in 1982, Basquiat ended up staying for about six months, enjoying the climate and club scene there. From then on he returned to LA several times a year. In 1983 Basquiat moved into a space in a building he leased from Andy Warhol, and from that time on their relationship grew. They worked together, painted each other's portraits, attended art events together in New York and abroad, and discussed their philosophies. Racial issues and identities were often a concern of Basquiat's. In 1984, Basquiat traveled to Maui, Hawaii, a place he visited regularly from that time on. He rented a ranch in Hana, a remote part of the island, where he set up a studio to make drawings and painting with materials he had sent over from Los Angeles. Returning to New York, collaborative paintings he created with Warhol and Clemente were exhibited internationally, and Basquiat become a celebrity in his own right. Also in 1984 he met Jennifer Goode, who was to be one of his most serious romantic affairs. Drug use, which had been part of his life since his teens, became more and more of a problem however. At only twenty-four, his deteriorating health had become noticeable. In 1986, Basquiat, Jennifer Goode, and her brother traveled to Africa for his first time, but by late that year the two had broken up, with her complaining of his abuse of heroin. Basquiat continued to travel both domestically and internationally for his exhibits. After Warhol's death in 1987, he became withdrawn and less productive. He had always been resistant to the idea of drug abuse programs, but in an apparent attempt to kick drugs on his own he left New York in April, 1988 for his ranch in Hawaii. There he stayed until June, when he left to return to New York. As he passed through Los Angeles, friends there found him happy and proclaiming he was free from drugs. However, on August 12, 1988, he was found in his New York loft, dead at twenty-seven from an overdose of heroin. Sources: togeocities.com Phoebe Hoban, Basquiat: A Quick Killing in Art, Penquin Books, 1999 Biography from RoGallery Photo of Jean-Michel Basquiat Jean-Michel Basquiat was an American artist born in Brooklyn, New York. He gained fame, first as a graffiti artist in New York City, and then as a highly successful avant-garde artist in the international art scene of the 1980s. His mother, Matilde, was Puerto Rican and his father, Gerard, was of Haitian origin. At an early age, Basquiat displayed an aptitude for art and was encouraged by his mother to draw, paint, and to participate in other art-related activities. In 1977, when he was 17, Basquiat and his friend Al Diaz started spray-painting graffiti art on subway cars and slum buildings in lower Manhattan, adding the infamous signature of SAMO, meaning Same Old Shit. In 1978, Basquiat left home and quit school a year before graduating. He lived with friends and survived by selling T-shirts and postcards. In 1980, he participated in a multi-artist exhibition, sponsored by Collaborative Projects Incorporated. During the next few years, he continued exhibiting his works around New York alongside artists such as Keith Haring and Barbara Kruger. Basquiat's art career is known for his three broad, though overlapping styles. In the earliest period, from 1980 to late 1982, Basquiat used painterly gestures on canvas, most often depicting skeletal figures and mask-like faces that expressed his obsession with mortality, and imagery derived from his street existence, such as automobiles, buildings, police, children's sidewalk games, and graffiti. A middle period from late 1982 to 1985 features multipanel paintings and individual canvases with exposed stretcher bars, the surface dense with writing, collage and seemingly unrelated imagery. These works reveal a strong interest in Basquiat's black and Hispanic identity and his identification with historical and contemporary black figures and events. The last style, from about 1986 to Basquiat's death in 1988, displays a new type of figurative depiction, in a new painterly style, with different symbols, sources, and content. In 1983, Basquiat befriended Andy Warhol and the two made a number of collaborative works. Often, they discussed and disputed about the lacking African American art and literature. They also painted together, influencing each others' work. Some claimed that Andy Warhol was merely using Basquiat for some of his techniques and insight, but this was never based on much fact, just mere speculation. Their relationship continued until Warhol's death. By 1984, many of Basquiat's friends were concerned about his excessive drug use and increasingly erratic behaviour, including signs of paranoia. Basquiat appeared on the cover of The New York Times Magazine in a feature entitled “New Art, New Money: The Marketing of an American Artist” in 1985. As Basquiat's international success heightened, his works were shown in solo exhibitions across major European capitals. Basquiat travelled to Africa in 1986 and his work was shown on the Ivory Coast. Warhol's death in 1987 came as very distressing to Basquiat. He continued to struggle with his addictions. In 1988, Basquiat escaped New York City to his island retreat in Maui. He died of a heroin overdose. Exhibitions: 2005 Basquiat, Brooklyn Museum, New York, March 11 to June 5 1998 Gagosian Gallery, Los Angeles 1998 Museu de Arte Moderna, Recife 1998 Tony Shafrazi Gallery, New York 1998 Pinacoteca, Sao Paulo 1998 Galerie Jerome de Noirmont, Paris 1997 Art Beatus, Vancouver 1997 Big Step, Inc. Isaka 1997 Mitsukochi Museum, Tokyo; MIMOCA, Marugame 1997 Museo Nacional de Bellas Artes, Buenos Aires 1997 Kaohsiung Museum of Fine Arts, Kaohsiung; Taiwan Museum of Art, Taiwan 1997 Fondation Dina-Vierny-Musee Maillol, Paris 1997 Gallery Hyundai, Seoul 1997 Parco Gallery, Tokyo 1996 Galerie Enrico Navarra, Paris 1996 Galeries Lucien Durand-Enrico Navarra, Paris 1996 Junta de Andalucia, Malaga 1996 The Bruce Museum, Greenwich 1996 Tony Shafrazi Gallery, New York 1996 Quintana Gallery, Coral Gables 1996 Robert Miller Gallery, New York; Serpentine Gallery, Lodon 1995 1995 Center Gallery, Miami-Dade Community College, Wolfson Campus; Castellani Art Museum, Niagara Univerity, New York; The University of Memphis, Memphis; University of South Florida Art Museum, Tampa; Otis Gallery of Art and Design, Los Angeles; Austin Museum of Art, Austin 1994 Henry Art Gallery, University of Washington, Seattle 1994 Johnson County Community College Gallery of Art, Overland Park 1994 Robert Miller Gallery, New York 1994 Mount Holyoke College of Art Museum, South Hadley, MA; Wadsworth Atheneum, Hartford; The Andy Warhol Museum, Pittsburg; The studio Museum in Harlem, New York; Krannert Art Museum and Kinkead Pavilion, University of Illinois, Champaign; COCA/Museum of Contemporary Art, Miami 1993 Newport Harbour Art Museum, Newport Beach 1993 FAE, Musee d'Art Contemporain, Pully-Lausanne 1993 Tony Shafrazi Gallery, New York 1993 Musee Galerie de la Seita, Paris 1993 Delta Gallery, Rotterdam 1993 Salon de Mars, Paris, booth of Galerie Enrico Navarra 1993 Alpha Cubic Gallery, Tokyo 1993 Galerie Sho Contemporary Art, Tokyo 1993 Galerie Bruno Bischhofberger, Zurich 1992 Metropolitan Museum of Art, New York 1992 Whitney Museum of American Art, New York 1992 Menil Collection, Houston 1992 Des Moines Art Center, Iowa 1992 Montgomery Museum of Fine Art, Alabama 1992 Vrej Baghoomian Gallery, New York 1992 Galerie Eric van de Wegh, Brussels 1992 Musee Cantini, Marseille 1991 P.S.Gallery, Tokyo 1991 Galerie de Poche, Paris 1990 Gallery le Gall Peyroulet, Paris 1990 Galerie Fabien Boulakia, Paris 1990 Robert Miller Gallery, New York 1989 Kestner-Gesellschaft, Hanover 1989 Vrej Baghoomian Gallery, New York 1989 Galerie Enrico Navarra, Paris 1989 Dau al Set, Galeria d'Art, Barcelona 1989 Galerie Thaddaeus Ropac, Salzburg 1988 Galerie Hans Mayer 1988 Galerie Michael Haas, Berlin 1988 Vrej Baghoomian Gallery, New York 1988 Galerie Thaddaeus Ropac, Salzburg 1988 Fay Gold Gallery, Atlanta 1988 Gallery Schlesinger Limited, New York 1988 Annina Nosei Gallery, New York 1988 Galerie Yvon Lambert, Paris 1988 Galerie Beaubourg, Paris 1987 Galerie Daniel Templon, Paris 1987 Akira Ikeda Gallery, Tokyo 1987 Tony Shafrazi Gallery, New York 1987 Galerie Thaddaeus Ropac, Salzburg 1987 P.S.Gallery, Tokyo 1986 Larry Gagosian, Los Angeles 1986 Fay Gold Gallery, Atlanta 1986 Fay Gold Gallery, Atlanta 1986 Galerie Bruno Bischofberger, Zurich 1986 Galerie Thaddaeus Ropac, Salzburg 1986 Akira Ikeda Gallery, Nagoya 1986 Centre Culturel Francais d'Abidjan, Ivory 1986 Galerie Delta, Rotterdam 1986 Kestner-Gesellschaft, Hanover 1986 Galerie Michael Werner, Cologne 1985 Mary Boone Gallery, New York 1985 Akira Ikeda Gallery, Tokyo 1985 Annina Nosei Gallery, New York 1985 Galerie Bruno Bischofberger, Zurich 1985 University Art Museum, University of California, Berkley; La Jolla Museum of Contemporary Art, La Jolla 1984 Mary Boone Gallery, New York 1984 The Fruitmaker Gallery, Edinburgh 1984 ICA, London 1984 Museum Boymans-van Beuningen, Rotterdam 1984 Carpenter + Hochman gallery, Dallas 1984 'New Expressionists', Sidney Janis Gallery, New York 1984 'Paintings and Sculpture Today', Indianapolis Musuem of Art, Indianapolis, Indiana 1984 'American Neo-Expressionists', Aldrich Museum, Ridgefield, Connecticut 1984 'New Art', Musee D'Art Contemporain, Montreal 1983 'New York Now', Kestner-Gesellschaft, hannover; Kunstverein Munich; Musee Cantonal des Beaux-Arts, Lausanne; and Kunstverein fur die Rheinlande und Westfalen, Dusseldorf 1983 'Whitney Biennale', Whitney Museum, New York 1983 'New Work', Sidney Janis Gallery, New York 1983 'Intoxication', Monique Knowlton Gallery, New York; and Mary Boone Gallery, New York 1983 'Back to the Usa', Kunstmuseum Luzern, Luzern; Rheinisches Landmuseum, Bonn; Wurttembergischer Kunstverein, Stuttgart; and Annina Nosei Gallery, New York 1983 'Selected Works', Ulrike Kantor Gallery, Lost Angeles 1983 'Mary Boone and her Artists', Seibu Museum, Tokyo 1983 'Written Imagery Unleashed in the Twentieth Century', Fine Arts Museum of Long Island, Hempstead, Long Island 1983 'Food for the Soup Kitchens', Fashion Moda, Bronx, New York 1983 'Contemporary Drawing', Delahunty Gallery, Dallas, Texas 1983 'From the Streets', Greenville County Museum of Art, Greenville, South Carolina 1983 'Post Graffiti', Sidney Janis Gallery, New York 1983 'Paintings', Mary Boone Gallery, New York 1983 West Beach Café, Venice, California 1983 Galerie Bruno Bischofberger, Zurich 1983 Akira Ikeda Gallery, Tokyo 1982 Emilio Mazzoli Gallery, Modena 1982 Mario Diacono Gallery, Rome 1982 Annina Nosei Gallery, New York 1982 Blum/Helman Gallery, New York 1982 Marlborough Gallery, New York 1982 Galerie Bruno Bischofberger, Zurich 1982 Fun Gallery, New York 1982 Galerie Delta, Rotterdam 1982 1982 'New New York', Florida State University Art Gallery, Tallahassee, Florida; Metropolitan Museum and Art Centre, Coral Gables, Flordia 1982 'Body Language – Current Issues in Figuration', University Art Gallery San Diego State University, San Diego, California. 1982 'Avantgarde and Transavantgarde '68 to '77' Aurelian Walls, Rome 1982 'Five Americans', Museu Civico, Modena 1982 'Drawings/Vision: New York', Janus Gallery, Los Angeles 1982 'Works on Paper', Larry Gagosian Gallery, Los Angeles 1982 'Fast', Alexander F Milliken Gallery, New York 1982 'Documneta 7', Kassel, West Germany 1982 'The Expressionist Image: From Pollock to Today', Sidney Janis Gallery, New York 1982 'The Pressure to Paint', Marlborough Gallery, New York 1981 Annina Nosei Gallery, New York 1981 Emilio Mazzoli Gallery, Modena 1981 'New York, New Wave', Institute for Art and Urban Resources, P.S.1, Long Island City, New York
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